|TH.912.C.1.1:|| Devise an original work based on a global issue that explores various solutions to a problem.|
e.g., global warming, AIDS, food shortage, genocide
|TH.912.C.1.2:|| Create, refine, and sustain complex and believable characters for performance through the integration and application of artistic choices based on research, rehearsal, feedback, and refinement.|
e.g., physical, vocal, emotional
|TH.912.C.1.3:|| Justify a response to a theatrical experience through oral or written analysis, using correct theatre terminology. |
|TH.912.C.1.5:|| Make and defend conscious choices in the creation of a character that will fulfill anticipated audience response. |
|TH.912.C.1.6:|| Respond to theatrical works by identifying and interpreting influences of historical, social, or cultural contexts. |
|TH.912.C.1.7:|| Justify personal perceptions of a director’s vision and/or playwright’s intent. |
|TH.912.C.1.8:|| Apply the components of aesthetics and criticism to a theatrical performance or design. |
e.g., description, interpretation, judgment, theorizing
|TH.912.C.2.2:|| Construct imaginative, complex scripts and revise them in collaboration with actors to convey story and meaning to an audience.|
e.g., multiple characters, multiple settings, multiple time periods
|TH.912.C.2.4:|| Collaborate with a team to outline several potential solutions to a design problem and rank them in order of likely success. |
|TH.912.C.2.5:|| Analyze the effect of rehearsal sessions and/or strategies on refining skills and techniques by keeping a performance or rehearsal journal/log. |
|TH.912.C.2.6:|| Assess a peer’s artistic choices in a production as a foundation for one’s own artistic growth. |
|TH.912.C.2.7:|| Accept feedback from others, analyze it for validity, and apply suggestions appropriately to future performances or designs. |
|TH.912.C.2.8:|| Improve a performance or project using various self-assessment tools, coaching, feedback, and/or constructive criticism.|
e.g., peer assessment, rubric, criteria, coaching, feedback, criticism
|TH.912.C.3.1:|| Explore commonalities between works of theatre and other performance media.|
e.g., dance, mime, movies, street theatre, poetry reading
|TH.912.C.3.2:|| Develop and apply criteria to select works for a portfolio and defend one’s artistic choices with a prepared analysis. |
|TH.912.C.3.3:|| Critique, based on exemplary models and established criteria, the production values and effectiveness of school, community, and live or recorded professional productions. |
|TH.912.F.1.1:|| Synthesize research, analysis, and imagination to create believable characters and settings.|
e.g., scenery, costumes, props
|TH.912.F.1.3:|| Stimulate imagination, quick thinking, and creative risk-taking through improvisation to create written scenes or plays. |
|TH.912.F.1.4:|| Research the cause-and-effect relationship between production needs and new and emerging technologies to support creativity and innovation in theatre. |
|TH.912.F.2.1:|| Create and maintain a portfolio for a variety of college or job interviews that can be customized for each opportunity.|
e.g., body of work, references, résumé, artist statement
|TH.912.F.2.4:|| Apply the skills necessary to be an effective director, designer, stage manager, and/or technician in the mounting of a theatrical performance. |
|TH.912.F.2.5:|| Analyze the impact the arts have on local, national, and global economies by researching how businesses use the arts to help them be successful. |
|TH.912.F.3.1:|| Analyze and identify the functions of a successful system of business management for a theatre company and compare them to the systems found in a successful business management system.|
e.g., leadership, financial needs and structure, marketing, personnel matters
|TH.912.F.3.2:|| Develop a production budget for a hypothetical performance, using real-world numbers, and determine how much to charge the audience in order to cover costs. |
|TH.912.F.3.3:|| Exhibit independence, discipline, and commitment to the theatre process when working on assigned projects and productions. |
|TH.912.F.3.6:|| Examine how skills used in putting on a production can be applied in the general work place and design a résumé showing marketable skills for a college or job application.|
e.g., time management, organization, public speaking, creative writing, leadership, collaboration, design, construction, business management, accounting
|TH.912.F.3.8:|| Use current and emerging technology appropriately to communicate rehearsal information with the cast and crew of a production. |
|TH.912.H.1.1:|| Analyze how playwrights’ work reflects the cultural and socio-political framework in which it was created. |
|TH.912.H.1.2:|| Study, rehearse, and discuss a broad range of theatre works by diverse playwrights to enrich one’s perspective of the world. |
|TH.912.H.1.3:|| Present a design or perform in the style of a different historical or cultural context to gain appreciation of that time and culture. |
|TH.912.H.1.4:|| Interpret a text through different social, cultural, and historical lenses to consider how perspective and context shape a work and its characters. |
|TH.912.H.1.5:|| Respect the rights of performers and audience members to perform or view controversial work with sensitivity to school and community standards. |
|TH.912.H.2.1:|| Research the correlations between theatrical forms and the social, cultural, historical, and political climates from which they emerged, to form an understanding of the influences that have shaped theatre. |
|TH.912.H.2.3:|| Weigh and discuss, based on analysis of dramatic texts, the importance of cultural protocols and historical accuracy for artistic impact. |
|TH.912.H.2.4:|| Research the intent of, and critical reaction to, artists in history who created groundbreaking, innovative, or controversial works. |
|TH.912.H.2.5:|| Apply knowledge of dramatic genres and historical periods to shape the work of performers, directors, and designers. |
|TH.912.H.2.7:|| Hypothesize how theatre may look in the future and defend that hypothesis, based on historical and social trends, to show understanding of their importance to the development of theatre. |
|TH.912.H.2.9:|| Create scenes that satirize current political or social events.|
e.g., improvise, script, perform
|TH.912.H.2.10:|| Analyze how the history of American musical theatre is tied to events in U.S. history and popular culture, detailing the ways in which theatre evolved. |
|TH.912.H.3.1:|| Apply critical-thinking and problem-solving skills used in theatre collaboration to develop creative solutions to real-life issues.|
e.g., time management, interpersonal skills, making priorities
|TH.912.H.3.2:|| Compare the applications of various art forms used in theatre production. |
|TH.912.H.3.3:|| Apply knowledge of non-theatre content areas to enhance presentations of characters, environments, and actions in performance.|
e.g., history, literature, visual art, welding, sewing, computer applications, math, science, world languages
|TH.912.H.3.4:|| Create a routine of wellness and care for the actor’s physical being as a performance instrument. |
|TH.912.O.1.1:|| Research and analyze a dramatic text by breaking it down into its basic, structural elements to support development of a directorial concept, characterization, and design.|
e.g., beats, actions, subtext
|TH.912.O.1.2:|| Compare the conventions of western theatre with eastern theatre practices.|
e.g., puppetry, masks, stage space, symbolism
|TH.912.O.1.3:|| Execute the responsibilities of director, designer, manager, technician, or performer by applying standard theatrical conventions. |
|TH.912.O.1.4:|| Write an original script or a dramatic adaptation of a literary work to demonstrate knowledge of theatrical conventions. |
|TH.912.O.2.1:|| Apply the principles of dramatic structure to the writing of a one-act play. |
|TH.912.O.2.2:|| Perform a scene or monologue in a non-traditional way that stays true to its dramatic structure and can be justified within the script. |
|TH.912.O.2.3:|| Create a non-traditional scenic or costume design of a classical play that visually connects it to another time period.|
e.g., Shakespeare, classical Greek
|TH.912.O.2.4:|| Construct and perform a pantomime of a complete story, showing a full character arc. |
|TH.912.O.2.5:|| Explain how the contributions and methods of significant individuals from various cultures and historical periods have influenced the creative innovations of theatre, and apply one of their innovations to a theatrical piece in a new way.|
e.g., playwrights, performers, directors, producers, designers
|TH.912.O.2.6:|| Deconstruct a play, using an established theory, to understand its dramatic structure.|
e.g., Aristotle's Poetics
|TH.912.O.2.7:|| Brainstorm a variety of ways to deviate from western rules and conventions in theatre to influence audience and performer experiences.|
e.g., audience, writing, space, design
|TH.912.O.3.1:|| Analyze the methods of communication among directors, designers, stage managers, technicians, and actors that establish the most effective support of the creative process.|
e.g., correct terminology, plots, production meetings, headset etiquette
|TH.912.O.3.4:|| Create a performance piece to document a significant issue or event.|
e.g., pantomime, improvisation, scene, monologue
|TH.912.O.3.5:|| Design technical elements to document the progression of a character, plot, or theme. |
|TH.912.O.3.7:|| Apply standard conventions of directing, stage management, and design to denote blocking and stage movement for production documentation.|
e.g., body language, pantomime, blocking, staging, design elements, characterization, subtext, physical characterization
|TH.912.S.1.2:|| Describe the Stanislavski Method and its impact on realism in theatrical performance in the 20th century. |
|TH.912.S.1.3:|| Develop criteria that may be applied to the selection and performance of theatrical work.|
e.g., appropriate to available actors, budget, venue, appropriate to community values
|TH.912.S.1.4:|| Compare the artistic content as described by playwrights, actors, designers, and/or directors with the final artistic product and assess the success of the final artistic product using established criteria.|
e.g., empathy, aesthetic distance, historical accuracy, personal or cultural perspective, social issues
|TH.912.S.1.5:|| Write monologues, scenes, and/or short plays using principles and elements of writing found in dramatic literature. |
|TH.912.S.1.6:|| Respond appropriately to directorial choices for improvised and scripted scenes. |
|TH.912.S.1.7:|| Interpret dramatic texts, organize and conduct rehearsals, and justify directorial choices for formal and informal productions.|
e.g., blocking, pacing, mood, concept, style
|TH.912.S.1.8:|| Use research to extract clues in dramatic texts to create performances or technical elements, choosing those that are most interesting and that best convey dramatic intent.|
e.g., cultural, historical, symbolic, interpretive
|TH.912.S.2.2:|| Apply technical knowledge of safety procedures and demonstrate safe operation of theatre equipment, tools, and raw materials.|
e.g., tools, ladders, paint, sewing machines, dyes, cosmetics
|TH.912.S.2.3:|| Demonstrate an understanding of a dramatic work by developing a character analysis for one or more of its major characters and show how the analysis clarifies the character’s physical and emotional dimensions.|
e.g., relationships, wants, needs, motivations
|TH.912.S.2.5:|| Perform memorized theatrical literature in contrasting pieces to show ability to apply principles and structure, focus on details of performance, and processing skills to establish successful interpretation, expression, and believability. |
|TH.912.S.2.6:|| Transfer acting and technical skills and techniques from one piece of dramatic text to another. |
|TH.912.S.2.7:|| Create a prompt book to organize dramaturgy, blocking, and play analysis to demonstrate understanding of the production process and the job responsibilities of a director or stage manager. |
|TH.912.S.2.8:|| Strengthen acting skills by engaging in theatre games and improvisations.|
e.g., concentration, observation, imagination, sense memory, listening, reacting
|TH.912.S.3.1:|| Articulate, based on research, the rationale for artistic choices in casting, staging, or technical design for a scene from original or scripted material. |
|TH.912.S.3.2:|| Exercise artistic discipline and collaboration to achieve ensemble in rehearsal and performance. |
|TH.912.S.3.4:|| Apply scientific and technological advances to develop visual and aural design elements that complement the interpretation of the text. |
|TH.912.S.3.7:|| Demonstrate the audition process by researching and selecting monologues and presenting a memorized selection. |
|TH.912.S.3.8:|| Direct a scene or one-act play. |
|TH.912.S.3.9:|| Research, analyze, and explain the processes that playwrights, directors, designers, and performers use when developing a work that conveys artistic intent. |
|MA.K12.MTR.1.1:|| Actively participate in effortful learning both individually and collectively. |
Mathematicians who participate in effortful learning both individually and with others:
- Analyze the problem in a way that makes sense given the task.
- Ask questions that will help with solving the task.
- Build perseverance by modifying methods as needed while solving a challenging task.
- Stay engaged and maintain a positive mindset when working to solve tasks.
- Help and support each other when attempting a new method or approach.
Teachers who encourage students to participate actively in effortful learning both individually and with others:
- Cultivate a community of growth mindset learners.
- Foster perseverance in students by choosing tasks that are challenging.
- Develop students’ ability to analyze and problem solve.
- Recognize students’ effort when solving challenging problems.
|MA.K12.MTR.2.1:|| Demonstrate understanding by representing problems in multiple ways. |
Mathematicians who demonstrate understanding by representing problems in multiple ways:
- Build understanding through modeling and using manipulatives.
- Represent solutions to problems in multiple ways using objects, drawings, tables, graphs and equations.
- Progress from modeling problems with objects and drawings to using algorithms and equations.
- Express connections between concepts and representations.
- Choose a representation based on the given context or purpose.
Teachers who encourage students to demonstrate understanding by representing problems in multiple ways:
- Help students make connections between concepts and representations.
- Provide opportunities for students to use manipulatives when investigating concepts.
- Guide students from concrete to pictorial to abstract representations as understanding progresses.
- Show students that various representations can have different purposes and can be useful in different situations.
|MA.K12.MTR.3.1:|| Complete tasks with mathematical fluency. |
Mathematicians who complete tasks with mathematical fluency:
- Select efficient and appropriate methods for solving problems within the given context.
- Maintain flexibility and accuracy while performing procedures and mental calculations.
- Complete tasks accurately and with confidence.
- Adapt procedures to apply them to a new context.
- Use feedback to improve efficiency when performing calculations.
Teachers who encourage students to complete tasks with mathematical fluency:
- Provide students with the flexibility to solve problems by selecting a procedure that allows them to solve efficiently and accurately.
- Offer multiple opportunities for students to practice efficient and generalizable methods.
- Provide opportunities for students to reflect on the method they used and determine if a more efficient method could have been used.
|MA.K12.MTR.4.1:|| Engage in discussions that reflect on the mathematical thinking of self and others. |
Mathematicians who engage in discussions that reflect on the mathematical thinking of self and others:
- Communicate mathematical ideas, vocabulary and methods effectively.
- Analyze the mathematical thinking of others.
- Compare the efficiency of a method to those expressed by others.
- Recognize errors and suggest how to correctly solve the task.
- Justify results by explaining methods and processes.
- Construct possible arguments based on evidence.
Teachers who encourage students to engage in discussions that reflect on the mathematical thinking of self and others:
- Establish a culture in which students ask questions of the teacher and their peers, and error is an opportunity for learning.
- Create opportunities for students to discuss their thinking with peers.
- Select, sequence and present student work to advance and deepen understanding of correct and increasingly efficient methods.
- Develop students’ ability to justify methods and compare their responses to the responses of their peers.
|MA.K12.MTR.5.1:|| Use patterns and structure to help understand and connect mathematical concepts. |
Mathematicians who use patterns and structure to help understand and connect mathematical concepts:
- Focus on relevant details within a problem.
- Create plans and procedures to logically order events, steps or ideas to solve problems.
- Decompose a complex problem into manageable parts.
- Relate previously learned concepts to new concepts.
- Look for similarities among problems.
- Connect solutions of problems to more complicated large-scale situations.
Teachers who encourage students to use patterns and structure to help understand and connect mathematical concepts:
- Help students recognize the patterns in the world around them and connect these patterns to mathematical concepts.
- Support students to develop generalizations based on the similarities found among problems.
- Provide opportunities for students to create plans and procedures to solve problems.
- Develop students’ ability to construct relationships between their current understanding and more sophisticated ways of thinking.
|MA.K12.MTR.6.1:|| Assess the reasonableness of solutions. |
Mathematicians who assess the reasonableness of solutions:
- Estimate to discover possible solutions.
- Use benchmark quantities to determine if a solution makes sense.
- Check calculations when solving problems.
- Verify possible solutions by explaining the methods used.
- Evaluate results based on the given context.
Teachers who encourage students to assess the reasonableness of solutions:
- Have students estimate or predict solutions prior to solving.
- Prompt students to continually ask, “Does this solution make sense? How do you know?”
- Reinforce that students check their work as they progress within and after a task.
- Strengthen students’ ability to verify solutions through justifications.
|MA.K12.MTR.7.1:|| Apply mathematics to real-world contexts. |
Mathematicians who apply mathematics to real-world contexts:
- Connect mathematical concepts to everyday experiences.
- Use models and methods to understand, represent and solve problems.
- Perform investigations to gather data or determine if a method is appropriate.
• Redesign models and methods to improve accuracy or efficiency.
Teachers who encourage students to apply mathematics to real-world contexts:
- Provide opportunities for students to create models, both concrete and abstract, and perform investigations.
- Challenge students to question the accuracy of their models and methods.
- Support students as they validate conclusions by comparing them to the given situation.
- Indicate how various concepts can be applied to other disciplines.
|ELA.K12.EE.1.1:|| Cite evidence to explain and justify reasoning.|
K-1 Students include textual evidence in their oral communication with guidance and support from adults. The evidence can consist of details from the text without naming the text. During 1st grade, students learn how to incorporate the evidence in their writing.
2-3 Students include relevant textual evidence in their written and oral communication. Students should name the text when they refer to it. In 3rd grade, students should use a combination of direct and indirect citations.
4-5 Students continue with previous skills and reference comments made by speakers and peers. Students cite texts that they’ve directly quoted, paraphrased, or used for information. When writing, students will use the form of citation dictated by the instructor or the style guide referenced by the instructor.
6-8 Students continue with previous skills and use a style guide to create a proper citation.
9-12 Students continue with previous skills and should be aware of existing style guides and the ways in which they differ.
|ELA.K12.EE.2.1:|| Read and comprehend grade-level complex texts proficiently.|
See Text Complexity for grade-level complexity bands and a text complexity rubric.
|ELA.K12.EE.3.1:|| Make inferences to support comprehension.|
Students will make inferences before the words infer or inference are introduced. Kindergarten students will answer questions like “Why is the girl smiling?” or make predictions about what will happen based on the title page.
Students will use the terms and apply them in 2nd grade and beyond.
|ELA.K12.EE.4.1:|| Use appropriate collaborative techniques and active listening skills when engaging in discussions in a variety of situations.|
In kindergarten, students learn to listen to one another respectfully.
In grades 1-2, students build upon these skills by justifying what they are thinking. For example: “I think ________ because _______.” The collaborative conversations are becoming academic conversations.
In grades 3-12, students engage in academic conversations discussing claims and justifying their reasoning, refining and applying skills. Students build on ideas, propel the conversation, and support claims and counterclaims with evidence.
|ELA.K12.EE.5.1:|| Use the accepted rules governing a specific format to create quality work.|
Students will incorporate skills learned into work products to produce quality work. For students to incorporate these skills appropriately, they must receive instruction. A 3rd grade student creating a poster board display must have instruction in how to effectively present information to do quality work.
|ELA.K12.EE.6.1:|| Use appropriate voice and tone when speaking or writing.|
In kindergarten and 1st grade, students learn the difference between formal and informal language. For example, the way we talk to our friends differs from the way we speak to adults. In 2nd grade and beyond, students practice appropriate social and academic language to discuss texts.
|PE.912.C.2.3:|| Analyze the movement performance of self and others.|
Some examples are video analysis and checklist.
|PE.912.M.1.5:|| Apply strategies for self improvement based on individual strengths and needs. |
|PE.912.M.1.8:|| Design and perform a creative movement sequence while working with a small or large group, with or without equipment/props. |
|ELD.K12.ELL.SI.1:|| English language learners communicate for social and instructional purposes within the school setting. |
|MU.912.S.3.4:|| Analyze and describe the effect of rehearsal sessions and/or strategies on refinement of skills and techniques. |